Most quilters think in terms of one surface. You make a top. You quilt a top. It works for the traditional quilt.
It’s never worked for me. If you’re creating a natural world, one layer seems, well, flat. Layers change tones across a piece, build texture, create shading, and add elements that are present but not solid. They can be made from fabric layers, thread layers, and sheer layers.
I also have a layer of image embroidery which is a separate thing.
Hand dye is always my starting layer. Even now when it’s become a pain in the ass to dye, I still don’t want anyone’s fabric for my art but my own. It’s unique one piece to another and if you let it, it will tell you what to do. Who doesn’t need a leg up?
This last month I’ve added another possibility. I can have an oil paint stick rubbing layer that adds substance as well as texture.
Because I can make the rubbing plates I need. I’ve used rubbings for all kinds of things, but mostly, the commercia; plates are best for texture. Oil paint stick rubbing is not exactly transparent, but it does show the background through.
On this piece I wanted trees, water, and reflected trees. I wanted the actual trees to be more present, so I stitched them straight stitch with brown, black and blue.
The reflected trees and the water texture I simply let be. It feels, mirkier, wetter and more like water surface.
I have a beginning layer of sheer shapes for water under my fish.
After I’ve stitched down my fish, the second layer of sheers places them in the water.
A stippled thread layer of Madeiera Metallic colorizes the air portion and makes it shimmer.
A stipple layer of Sliver thread makes the water splash and shine.
Finally a layer of leaves defines the surface of the water.
My goal was to create three worlds, the pond, the surface and the air. I think I’ve got it.
Layers add texture, density and complexity to what I do.
