Hummingbird Commission 3: The Flower

| ellenanneeddy

Every hummingbird deserves a fine buffet lunch, so this one has a flower of her own. The flower is made from different pink lace sheers, cut into petal shapes and backed with Steam-A-Seam 2.

I love using sheers as flower petals. Petals are, by their nature, translucent. But the sheers need extra support. I use a piece of felt in a color that I won’t mind seeing afterwards.Steam-a-Seam 2 is an excellent glue, but it also stiffens the piece. I also have a piece of Stitch and Tear behind it all.

Steam-a-Seam 2 is a fusible glue sheet backed between 2 pieces of paper. You peel off one side, place your fabric on the glue, and it will stick of its own accord. Then you cut out your shapes. It leaves you with pieces much like color forms. You peel off the other piece of paper and you can place your pieces as you like.

When you’re happy with your placement, you can iron down your pieces. You’ll want a Teflon pressing cloth, because the glue will seep through your piece. Iron thoroughly on a medium-high Steam setting. You can clean the pressing cloth with a ScotchBrite Blue Scrubby for non stick surfaces.

All of that leaves you ready to stitch. I’m working with a zigzag stitch. Each petal needs to be outlined and detailed, but it really doesn’t matter in what order. So I can change the areas by petal so that I’m using different threads from my thread range across the flower.

Why go to the trouble of making the flower into an applique? Because after all that stitching, it’s going to pucker up and want a kiss. Cut off all those stabilizers, and you’ll have a flat and lovely flower for your quilt.

Want to see this completed? You’ll find the whole project on my Patreon Page.

It’s free to join!

Hummingbird Commission 2: The Bird

| ellenanneeddy

Last week we drew the hummingbird. Now it’s time to fill it in.

I’m working on a sandwich of Totally Stable (my drawing), felt, hand dye, and Stitch and Tear. What I want is an embroidered bird I can stitch on the surface of my quilt

My outlines are almost always black. They set a crisp line for the image. Here I used a black metallic on the bobbin. I am always working upside down because that’s where my drawing is. I zoned my bird, so I could tell where the colors would go. Also, metallic thread works much better from the bobbin where it doesn’t get as abraded by the machine.

The body is an emerald green made of greens and turquoise. The wings are three shades of green/ grey metallic. The throat is red and magenta,

Each color is another layer of stitching.

We went through the same process with the body and the throat. Green, turquois and lime for the body. Red and magenta for the throat.

You can watch the video of how this bird is created on my Patreon Page. We’ll be following it all the way to the finish.

A Hummingbird in the Flowers: A Commission

| ellenanneeddy

Part 1: The Drawing

I have a commission that I want to share with you.

I don’t do these often because commissions are hard. Commissions demand a lot of communication that sometimes doesn’t work as well as it should. It’s hard to talk about something that is strictly visual.

But this is for a friend. And it’s a small piece. We’ve talked through what she wants. It’s a 7×10-inch ruby-throated hummingbird with a flower. I’m pretty confident it will be what this lady desires.

Because it’s a small piece, I’ve decided to do a series of articles and videos about making it. It covers different skills and processes. For you, it’s a look behind the scene to see how quilts are made. For my owner, she has full documentation. You can all watch step by step how this quilt is created.

She wanted a red-throated hummingbird.

It all starts with a drawing. I draw out sometimes just my subject. Because this is a commission I drew out a number of birds so my owner could choose. These drawings are on Totally Stable, which is an iron on, removable stabilizer that has a good drawing surface. I use it for all my patterns.

This is the bird she chose. I need that bird flying left to right. But because the pattern goes into the back side, the face side will be left to right.

I also need to zone my pattern. She has a green body, grayish wings, and a red throat. Zoning reminds me what threads to use in the top of my machine. Each zone will have several colors within that range that go on the bobbin side. Since we’re upside down, that’s where they’ll show.

What’s next? Stitching in. And figuring out how to make the video program work better. Next week

Want to see this completed? You’ll find the whole project on my Patreon Page.

Death and Taxes

| ellenanneeddy

I’m writing this sad at heart. If I can’t pull the money together for the studio, I’m going to lose it to property tax at the end of August.

This has been a fairly desperate time for everyone, and I know that. When people can’t pay for groceries, you can’t really ask them to pay for art.

But if there is no money for art, there is no art. Art only happens when we make space for it. It doesn’t really matter what things are worth at this point. It’s a matter of paying a bill any way I can.

If my art has made you smile, if you take joy in my colors, if I’ve taught you something you wanted to know, or if I’ve helped in any way, I need your help now.

So far, I’ve put up a Patreon Page, put a number of my sewing machines on sale on eBay, and I’m putting my quilts on sale on Etsy at 40% off. If there’s a favorite piece you’d like, let me know, and we’ll make it happen.

Artists’ lives are full of insecurities. We create no matter what. But we can’t really create security. That comes from community. I’ve worked hard to make artist community available to people who need it. And now I need that too.

Can you help me, please?

Shop on Etsy!

I have all my quilts at 40%off. A world of color and light created in fabric and thread. Don’t you have an empty drab wall? The promo code for your discount is TAXSALE.

Join me on Patreon

I’m building a community of artists and art lovers where they can explore fiber art, contemporary quilting, textiles in eye candy, technique, and studio savvy. Explore videos, tutorials, expert techniques, and endless eye candy. You can support me and that community on Patreon.

If you wish to purchase a machine, let us know. We have a 770 Bernina, and a 99 Singer available immediately. Other parts machines too. Contact me for more information.

Thanks!

Ellen

Thermal Shock: Eye Opening Color

| ellenanneeddy

One of the hardest things in embroidery work is to get over the match instinct. After years of perfectly matching thread to my project, I’ve had to learn to pick out the highest contrast threads to make an image that really shows up.

In embroidery, contrast is everything. If it all mushes together color-wise, then you have a very mushy image indeed. Smooth color exchanges that are analogous and sit next to each other on the color wheel are pretty. But they don’t have much punch. So what you want is color that builds not on similarities but on differences. There are several kinds of contrast: color, tone, clarity, and temperature.

Today we’re talking about color, which is simply the hue and temperature. Is it red, blue, or yellow? Or an odd shade of green? It’s not as simple as it looks. There are a million reds, blues, and yellows. They are not the same.

Thermal shock is about the temperature of a color. Every color, no matter whether it is a cool or warm color, leans either towards having a cool or warm cast. It doesn’t matter if it’s a cool color or a warm color. There are cool yellows, there are hot blues. If all the colors are either cool or warm they’ll flow into each other like analogous colors. But if they’re not? You get thermal shock. It’s like standing in a cold-water sprinkler on a steaming, hot day. The effect is kind of visually electric.

Blue and Yellow Don’t Make Green is an excellent book explaining thermal variations and how that creates differing colors. It’s set for watercolor, but it applies to all color theory. It’s a worthy book.

So along with the different hues, there are shade and sun versions of primaries. I’ve been playing with them on this phoenix.

I wanted this bird to jump off the surface. I’d decided to outline with in a yellow that leans into the sun to give it some definition. But I wanted it showy. So the colors I picked, cool orange, cool and warm yellows, cool and warm blues left it shimmery and gave it impact.

So here’s another contrast. All that bright sky and bird against misty grey clouds.

For a final contrast, I put small trees up and down the river, to have that clear cool green against all the soft clouds and the fiery bird.

Always look for contrasts. Blending is beautiful, but to give a piece impact with something as small as a line of stitchery, you need heavy contrast, either in hue, value, or temperature. It creates a pathway through your quilt. But it also makes your stitching shine.

I Need Your Help

| ellenanneeddy

I’m starting a Patreon Page.

Many of you have probably had classes with me. God bless you for that!  I love my students for their enthusiasm, their creativity, their generosity and their company. We’ve all been on this journey together. I’ve watched us reach for stars, and sometimes catch them too. We grow with our art, by our art,  and through our art.

But time catches up. I don’t really teach at guilds anymore. The travel is too hard. That doesn’t mean I’m not growing through my art. I’m still finding new things to do and new ways to do them. ‘And I always want to share them with you.

There’s another downside to not being able to travel. I’m in danger of losing my studio. Because I’m not teaching on the road, I don’t have a steady source of income.  I understand it. We’re in a tight economy, and there isn’t always money for art.

So it seems we need to find new ways to do that. I do have a blog. I share on Facebook and Instagram, but I want to give you access to more. I want a place where you can get class booklets that are currently unavailable. Or look up a technique and see it demonstrated step by step. I’ll offer small projects that make a big difference in your skill level. I’ll feed you lots and lots of eye candy. I want to welcome you to where I live, in my studio.

If you’re unfamiliar with Patreon, it’s a platform where you can support me and I can share with you. You become my patron in whatever level is comfortable for you. There is a free tier as well. It’s a small and more regular way to keep art going and to be part of that art.

I’m currently working on a book called In The Studio, which is about the process of creating fiber art. Not the cleaned-up version. I want to show the zigzag process of design and creation. I’ll be offering this book live as I write it so you can see it first.

As a community, quilters have supported me in ways that still stun me. And when I come to you with a need, you’ve all responded so kindly. I would not have become the artist I am without your kindness, care, and support.

So what would you like to see? I need to know. I’m offering books and articles that have become unavailable, project and technique articles and videos, early access to In The Studio, my current book project, live question-and-answer sessions, mentoring, and quilt points where you can purchase a quilt with your Patreon contribution.

I want to honor that support by starting a quilt point program. Every dollar you send me through the Patreon Soar tier goes toward any quilt you wish to purchase. In love with a special quilt? Tell me, and I’ll hold it for you.

Are you interested? What can I offer you? Will you join me?

Join Now!

1212-26 Her Royal Shyness

| ellenanneeddy
1211-26 Her Royal Shyness Octopus’
Garden Series
34” x42”
$3,570

Materials:
Hand-dyed cotton, felt, stabilizers, commercial sheers, polyester, metallic, nylon threads, oilpaint stick
Techniques:
Machine pieced, machine embroidered, embroidered appliqué, quilted, texture rubbing,  hand dye, cord binding, direct appliqué

Purchase this quilt on Etsy!

1211-26 Drifting

| ellenanneeddy
1211-26 Drifting
44” x38″
$ 4,080
Materials: Hand-dyed cotton, felt, stabilizers, commercial sheers, polyester, metallic, nylon threads, oilpaint stick
Techniques: Machine pieced, machine embroidered, embroidered appliqué, quilted, texture rubbing,  hand dye, cord binding, direct appliqué

Purchase this quilt on Etsy!

The MAP Kids: Opening Last Night at the Peoria Art Guild

| ellenanneeddy

The MAP kids had their opening last night. Due to car troubles, I couldn’t be there. I’ve taught in this program, and I try to make that opening because it’s a teachable moment for the kids. They see their work celebrated on the wall, and I usually go to the opening and ask them, one by one, to show me their pieces, so I can tell them how wonderful they are. Art is hard. People aren’t always kind. We need to spread that kind of kindness prophylactically against the cruel way people treat kids art. Since I couldn’t be there I sent this note.

The MAP program is an opportunity for teens to study with a number of different artists as mentors. It’s a wide-open learning experience, not from art school, but from people living their art. It’s a free program the Peoria Art Guild offers each year to a select group of young artists.

Hit! I can’t be here tonight to celebrate with you over the wonderful things you made this year. I am so sorry. Our car broke down last night in a way that will take some time for us to get it running. I can’t get there.

I always try to come to the MAP show, because this program is fabulous. Not just the art you make. The way you remake yourself is also fabulous to watch. It’s hard to move to different media and techniques. But it hones your skills and stretches your ability. It changes you. It sets you on different paths. None of that could happen, without your courage, commitment and determination to try things. You’ve done all of that.

You will have people in your life who will either indulge your art or ignore it. They’ll tell you that it’s nice, but not practical. Or necessary. They are wrong.

Art is where we create emotional literacy. Our ability to thrive and survive comes from rewriting our stories in ways that make sense to us, that make us more able, that give us joy and peace, even in chaos, Our art does that. We interact with an image, and it retells the story. Not just for ourselves and our own growth. But we, as artists do it for others as well. People are changed by our art. It incites them with new thoughts. It heals old wounds by seeing them in different lights. We change the world with our art. It doesn’t matter how many people see our work. The person who needs to is right audience. We are the light of the world.

Tonight I hoped to walk with each of you and ask you to show me your pieces. I wanted to tell you how proud I am for you, that it was an honor to have you in class, and that I am waiting for the magnificent things you’ll do next. I hope you have the patience to grind through the practice it takes to hone your skills and find your voice. I am honored to have worked with you.

Congratulations!

All my love,

Ellen

I’m sharing this with you because perhaps you might need to hear that as well. I do too. We’re artists. We hold each other up.

You’ll find this fabulous show through July 31st.

Peoria Art Guild
203 Harrison St,
Peoria, IL, 61602,
3096372787info@peoriaartguild.org