Mentoring: Who Were Your Teachers? Who Are You Teaching?

One of the things I miss from my childhood was the women’s sewing circles. It was old-fashioned even when I was a girl.It died out as women took jobs outside their homes. We have a version of it at yarn shops and at quilt guilds, where we get together and show each other how we work.

But my neighbor, Mary Annis, did it with her children. It wasn’t formal. She gathered her 3 girls together and included me when they sewed doll cloths, crocheted, knitted, or made art projects. Later on, when I learned to sew, it was at her feet. She was my first mentor.

I met Mary when I was eight. She saved a quilt out of the trash for me, taught me to be late, messy and not to answer the phone, explored knitting, crochet, quilting, quilling and tatting, and gave me room to breathe. I can’t imagine who I would have been without her.

Even in the days of YouTube, we still need to learn from people. We don’t just learn a skill. We also learned about how and why. It was an introduction to being a creative adult, a crafter, and a maker. It was, for me, life-changing.

Art has its own form of mentorship. We teach art in colleges. We have art classes. We can learn all the techniques and tools. What the classes don’t teach with the hows is why.

Studio hygiene. is about making creative space inside and outside your head. The outside is about work, protecting your body, and making work physically easier. The inside is about making a space where creative work is possible. That is part of the how. That space shuts down judgment, rude comments, negativity, and fear. It opens the doors to new worlds, knowing that perfection is neither possible nor necessary, nor even helpful. All we need is a safe place to try things.

Which leads me to another mentor from my past. As a brand new teacher, I taught art and music at a Catholic school. It was a flawed place. The books were ancient, the equipment was nonexistent. The headset was mid-70s Catholic repressive.

Except in one room. Midge Gamble was in her sixties. She taught 3rd grade at this very 3rd-rate school. She had precisely the same books and equipment. She refused to let in was the 3rd-rate attitude. Where the other classes were angry, hostile, her classroom atmosphere didn’t allow that kind of repression or the anger that fuels it. She helped me understand that the teacher makes the classroom

We learn from models. We learn from what we see. At some point, we show others.

Next week, I have the privilege of teaching in the MAP Program at the Peoria Art Guild. They’re a group of high school kids full of potential, passion, and ability. The program gives them experiences with all kinds of artists. It’s a great experience for these very talented kids.

So I come back to Mary. They had a memorial for her at the home where she lived. One of the ladies turned to me and said, “She tried to teach me to knit.” I said, “She tried to teach me, too.” Whether we could learn or not, Mary had shared it with open hands.

Learn one, do one, teach one. It’s how we build community and civilization. I hope you had wonderful mentors. And I hope you get to share with others who are passionate to learn.

Check here for more information about the Peoria Art Guild’s MAP program. It’s a free program they offer every year to serious high school artists. And a wonderful community.

IF you’d like to read more about Mary, her daughter Betsy did a wonderful blog of this amazing woman’s life. You’ll find it at Marygram.blogspot.com

The Next Generation: Teaching at the Map Program at the Pe0ria art Guild

I don’t have much work to show you this week because I was preparing to teach yesterday at the Peoria Art Guild. The Peoria Art Guild is one of the most supportive art centers I’ve ever seen. Not just for these kids but for established artists like myself, and emerging artists first bringing their work to the public, and for people who just enjoy being part of an art community it’s a astonishing place. It’s become my art home. I am so grateful.

So when the Peoria Art Guild asked me to teach for their MAP program I was excited. I had no idea how great these kids are. I’ve done it for three years now.

These pieces are in process.

The Map program is a Mentor Artist Program for seniors and juniors where established artists come in and mentor them.

What are these kids like? They are amazing! Talented, unafraid and energized. I was awed today.

I love teaching. I love the connection, watching their pieces come together, watching them build skills and confidence and find their own art. That has been a privilege.

I teach because I believe that art matters. It’s not about a process or a skill, or what you make. It’s about the ability to work with your heart and your soul to express yourself. It’s emotional literacy. The one thing unique thing each of us has is our vision. When we can share that, the world is a little wider, the bridges a little stronger, the light a bit more illuminating. The darkness stands back. We make art to shift and change the world.

What do we give to other artists? Our techniques. Our inspiration. Our studio workflow. Our vision. Our joy in creation. Our appreciation of their path, as we travel our own.

Would these kids make art any way? I don’t think anything would stop them. But giving them a broad base of skills and experience with different materials means they can better find their way. The MAP program is a fabulous opportunity for them.

The Peoria Art Guild brings this to these kids each year. I saw them grow ten feet tall in one day. It;’s a magnificent experience. For myself as well as for them.

If you have a kid in the Peoria area, Senior or Junior next year, who lives for art, consider this Map program for them. It’s free. You’ll find information on the Peoria Art Guild Site.

And IF you need a breath of art yourself, the Peoria Art Guild is there for you.

Peoria Art Guild

203 Harrison St,

Peoria, IL, 61602,

 3096372787 info@peoriaartguild.org

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The Art of Documenting Your Art: How to KEep Track of Your Work

Today we take 16 quilts over to the Peoria Art Guild to hang the show opening next Friday night, Sept. 1st. In the rush to finish a couple more pieces, find all the unlabeled work, and get all the hangings on, the rods cut, and the cat fur off, there’s a final task that has to happen. I need to do my documentation.

There are 1,107 quilts on my price list since the 1980s. There are around 200 quilts in house. I’m not good at keeping track. I regularly find I’ve got a piece at a gallery I thought I’d lost. I don’t even panic anymore. The chances are excellent that the missing piece is safe in a store where I left it, coming home in time.

But I do have some documentation tricks that help.

photos, photos, Photos

Take full and detailed shots of your work, without Fido in the background. It helps to take process shots too.

Everything Has a Number

Each piece has a number of its own. Its number is the next sequence, plus the year it was made. That gets documented in an Excel file that has the size, and price of each quilt.

The price list is the listing for each quilt by number.

Everything has a Signature

I always sign my work. Right in the stippling. Sometimes it’s obvious. Sometimes it’s not. But it’s always there. Yes, I can sign it backwards in case I have the cool thread in the bobbin.

Everything Has a Label

I’ve done everything for labels at one time or another: written in pen on the back, or stitched on a computerized machine. Now I run them through the computer. I use June Tailor’s Iron on Quick Fuse Fabric, an ink jet printer, and Avery’s free label printing site. I can print a sheet full of any kind of label I want and cut it out with a rotary cutter.

Labels are a safety feature. How does anyone know it’s your quilt if you don’t label it? I have a recognizable style, but it’s hubris to pretend everyone would know. Telling one quilt from another on a price list can be harder than it looks. And it has my contact information so someone can send it back to me or contact me if they should find it. I don’t send quilts out without a label.

So how do I manage to lose quilts? I’m so tired at the end of this I don’t always mark off when something sells or when it goes somewhere. The best system is subject to human error, and boy, am I human.

These are some quilts that just came home. They’re on my Etsy site on sale.

The opening for the Peoria Guild Show is at:

Peoria Art Guild 

Natural Threads Ellen Anne Eddy Show September 1-28

Peoria Art Guild, 203 Harrison St, Peoria, IL, 61602, 309 637 2787 

Hours: Monday 9-4, Tuesday 9-6:30, Wednesday 9-6:30, Thursday 9-6:30, Friday 9-4 Saturday 9-2, Sunday CLOSED

Show panic: Getting Ready with Grace

I’m delighted to announce I’ll be doing a show of my work for the Peoria Art Guild this September, 2023. Right now I’m running around the studio like a frenzied ferret. It’s not pretty. But it’s show panic. It’s how it’s done.

The show will open Friday, September 1st. I am so excited. I have a pile of new work to show and I’m so pleased to be able to do that in person with you.

These last two years have been a renaissance for me. I’m working larger, in wilder images and on fire with the art happening. Not bad for a lady at the other side of seventy.

So here is a review of last year’s work.

Major quilts

There are some large unfinished pieces almost ready to go.

small Works

As you can see it’s been a busy year!

The show will start at the

Peoria Art Guild September 1-30

Opening
First Friday, September 1
Gallery talk: 4pm
Opening 5-8 PM

Classes:
Fantasy Flowers: making flowers from sheers and embroidery. Saturday. September 16th, 9-12
Dragonfly Sky: Working with bobbin work. Sunday, September 17, 9-3

Free Lecture: The Visual Path Designing Art in Motion. Saturday 16th, 1-3

Peoria Art Guild, 203 Harrison St, Peoria, IL, 61602, 309 637 2787 

Hours: Monday 9-4, Tuesday 9-6:30, Wednesday 9-6:30, Thursday 9-6:30, Friday 9-4 Saturday 9-2, Sunday CLOSED

To celebrate, and to pay for some of the show costs, I’ve put my current small quilts on sale on Etsy at 25% off. Check them out
Are you excited yet? I’m exhausted. But thrilled. Come join me!