Hummingbird Commission 2: The Bird

Last week we drew the hummingbird. Now it’s time to fill it in.

I’m working on a sandwich of Totally Stable (my drawing), felt, hand dye, and Stitch and Tear. What I want is an embroidered bird I can stitch on the surface of my quilt

My outlines are almost always black. They set a crisp line for the image. Here I used a black metallic on the bobbin. I am always working upside down because that’s where my drawing is. I zoned my bird, so I could tell where the colors would go. Also, metallic thread works much better from the bobbin where it doesn’t get as abraded by the machine.

The body is an emerald green made of greens and turquoise. The wings are three shades of green/ grey metallic. The throat is red and magenta,

Each color is another layer of stitching.

We went through the same process with the body and the throat. Green, turquois and lime for the body. Red and magenta for the throat.

You can watch the video of how this bird is created on my Patreon Page. We’ll be following it all the way to the finish.

A Hummingbird in the Flowers: A Commission

Part 1: The Drawing

I have a commission that I want to share with you.

I don’t do these often because commissions are hard. Commissions demand a lot of communication that sometimes doesn’t work as well as it should. It’s hard to talk about something that is strictly visual.

But this is for a friend. And it’s a small piece. We’ve talked through what she wants. It’s a 7×10-inch ruby-throated hummingbird with a flower. I’m pretty confident it will be what this lady desires.

Because it’s a small piece, I’ve decided to do a series of articles and videos about making it. It covers different skills and processes. For you, it’s a look behind the scene to see how quilts are made. For my owner, she has full documentation. You can all watch step by step how this quilt is created.

She wanted a red-throated hummingbird.

It all starts with a drawing. I draw out sometimes just my subject. Because this is a commission I drew out a number of birds so my owner could choose. These drawings are on Totally Stable, which is an iron on, removable stabilizer that has a good drawing surface. I use it for all my patterns.

This is the bird she chose. I need that bird flying left to right. But because the pattern goes into the back side, the face side will be left to right.

I also need to zone my pattern. She has a green body, grayish wings, and a red throat. Zoning reminds me what threads to use in the top of my machine. Each zone will have several colors within that range that go on the bobbin side. Since we’re upside down, that’s where they’ll show.

What’s next? Stitching in. And figuring out how to make the video program work better. Next week