
This has been a burning question for me over the last 6 months. I live and die by my sewing machines. It’s what I do. I sew every day around 4-5 hours a day.
Over that time, I;ve locked up 2 220s, 2 930s and a 770, all Berninas known to be tough and durable. I’ve felt like a general who’s horse has died, getting on another horse and inadvertently shooting the new one. It’s been ghastly.
What it’s about is the intense embroideries. They feel like the heart of my work. They’re intense, detailed, textured, and, pardon my vanity, show stopping.




I can’t seem to make them without breaking machines.
I went through this a long time ago. I burned the brushes off my 930 and bought an industrial 20U Singer. It was not a perfect answer. It was way too fast. It chomped through thread. It was incredibly noisy. And impossible to control.
Eventually, I stopped making those larger embroideries.
Lately I’ve needed to work those large embroideries. And we rescued the 20 U from where I left it at Porter.
It was the right decision. Don put a servo motor on it to slow it down. It did a very nice job with my #40 polyester threads.
What is a servo motor?
I’m not sure of the mechanics of the thing. Functionaly it’s an industrial motor with a rhiostat. You can adjust the speed to your taste. It’s infinately more quiet, and takes up a lot less energy.
I wouldn’t say it was the right thing for everyone.
What can an industrial machine offer you?
It is
- An incredibly tough machine
- An incredibly fast machine
- An extra wide zigzag stitch
Those are very different skillls from a home machine.
There is a down side.
- They are huge. They take up a large footprint in studio space.
- They are harder to manuver. I’m still finding my way about managing stitch angle with it.
- Unless you slow them down, they’re too fast for many threads and applications. The servo motor is the best way to control that.
- You can’t pick it up and take it to a mechanic. You’ll need to fix it yourself or find a mechanic who does house calls.
- They’re kind of crude. They’re rough machines mechanically. Simple to work with but they’re not sophisticated.
Don made this work for me by installing a servo motor. That motor is a miracle. So is Don. I’m grateful for both.
Am I sorry to be working with an older machine? No. They don’t change that much. As far as the changes in machines over the last 50 years, the most important one was being able to set needle up, needle down. With the servo motor, it’s in excellent fighting shape. These machines are indestructable.
Am I thrilled? Yes. Downside and all, I can tackle those big pieces without making a collection of broken sewing machines. Will I use if for everything? Probably not. Again, hard to control.
Want to come play with my new machine? Give me a call and come over. It’s like running a tyranasarus that sews.

So happy you found the “right” machine for you. I knew an artist who did wonderful thread painted pictures (Brigid of Ireland) and she used an industrial machine that looks like yours. (Unfortunately she died about 10 years ago) Footprint of the industrial Singer doesn’t look big to me, I’ve got a sit down long arm. Lots of room for projects. If I lived closer I’d be over for a test drive. I love these older mechanical machines. Keep posting updates.